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Paris Hilton

April 11, 2026 3 min read

 

Celebrity Custom / Music Video — Look Two

Paris Hilton in Custom Vex: The Second Look from Bad Bitch Academy

One custom look was not enough. For her Bad Bitch Academy music video, Paris Hilton wore two Vex originals — each handmade, each built for a different energy. This is look two.


Paris Hilton wearing the second custom Vex latex outfit for the Bad Bitch Academy music video
Paris Hilton in custom Vex — look two for Bad Bitch Academy / styled by @sammykstyle / photo @parishilton @marcduron @kevinostaj

When a production commissions multiple custom looks for a single video, each piece has to stand on its own while serving the larger creative vision. The first Vex look for Bad Bitch Academy delivered structure and drama. This second look shifted the register — a different silhouette, a different energy, built from the same 0.45mm English latex by the same hands in the same California studio.

That is the advantage of working with one house for an entire production wardrobe. Every piece shares the same construction standard, the same material quality, and the same understanding of how latex performs on camera — but each design is its own statement.

Paris Hilton in the second custom Vex latex look — Bad Bitch Academy music video
The second Vex look on set — photo @parishilton @marcduron @kevinostaj
Building multiple custom pieces for a single production is not about repeating a formula. Each look has to justify its own existence on camera — different silhouette, different mood, same uncompromising build quality.

For Bad Bitch Academy, the creative team needed two distinct Vex looks that would each carry their own scenes. Laura designed both pieces in tandem, ensuring they complemented each other across the video's visual arc without overlapping. Different energy, same precision. That is what 26 years of building custom latex for production teaches you.

The Build

Like the first look, this piece was designed in direct collaboration with Paris Hilton's styling team and built entirely by hand in the Vex studio. The construction demands were identical — a garment engineered for hours of takes under hot lights, for movement and choreography, for the kind of close-up camera scrutiny that exposes every imperfection in lesser work.

Every seam was placed for both structural integrity and visual line. Every panel was hand-cut, glued, and finished to the standard that Vex has maintained for 26 years. No outsourcing. No shortcuts. One studio, one team, one standard — whether the commission is for one piece or ten.

2 Custom Vex Looks in One Music Video

When One Look Is Not Enough

Production teams commission multiple Vex pieces for the same reason they hire a single director of photography instead of three — consistency. When every custom garment comes from the same studio, the same designer, and the same materials, the visual language holds across an entire project. The pieces work together because they were built together.

Coordinated Design

Laura designs multi-look commissions as a collection. Each piece stands alone on camera, but the visual through-line ties them together across scenes.

Consistent Material

Same 0.45mm English latex across every piece. Same sheen, same weight, same way it catches light — no material mismatches between looks.

Single Point of Contact

One designer, one studio, one production timeline. No coordination between multiple vendors. The styling team works directly with Laura from first sketch to final delivery.

Production Reliability

26 years of delivering custom latex on deadline. When a shoot date is locked, Vex delivers — whether it is one piece or a full wardrobe.

Whether you are a stylist building a video wardrobe, a production team with a multi-look brief, or an individual looking for something made only for you — Vex custom design starts with a conversation.

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Your Production. Your Vision. Built by Vex.

26 years of handmade latex for the world's biggest stages. One look or an entire wardrobe — tell us what you need.

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